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If you have MTS, M2TS, MXF, (H.264) MOV, (H.264) MP4, M2T, etc to Final Cut Pro, you’d better transcode these camcorder videos to Apple ProRes first before start editing. Well, the Apple ProRes codecs provide an excellent solution for the most demanding modern post-production workflows.
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Uncompressed HD formats deliver the highest image quality, but the high-bandwidth, RAID-storage requirements of uncompressed HD video are daunting for most users’ budgets.
#PREMIERE PRO APPLE PRORES 422 FULL#
Other camera codecs preserve full quality but are too complex to achieve the software decoding speeds required for real-time editing. Many of today's HD formats were developed under significant camcorder(Panasonic, Sony, Canon, JVC, Nikon, etc.) engineering constraints and therefore limit the full quality that can be carried in an HD signal. High-quality edit proxy for Final Cut Server
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High-quality offline editing at the original frame size, frame rate, and aspect ratio Roughly 30 percent of the data rate of Apple ProRes 422 The Apple ProRes 422 (Proxy) codec is intended for use in offline workflows and provides the following: Higher quality than Apple ProRes 422 (Proxy) Roughly 70 percent of the data rate of Apple ProRes 422 (thus, smaller file sizes than Apple ProRes 422) The Apple ProRes 422 (LT) codec provides the following: Higher quality than Apple ProRes 422 (LT) Target data rate of approximately 145 Mbps (1920 x 1080 at 60i) The Apple ProRes 422 codec provides the following: Target data rate of approximately 220 Mbps (1920 x 1080 at 60i) The Apple ProRes 422 (HQ) codec offers the utmost possible quality for 4:2:2 or 4:2:0 sources (without an alpha channel) and provides the following: This setting is also available with the Apple ProRes 422 codec. A Gamma Correction setting in the codec’s advanced compression settings pane, which allows you to disable the 1.8 to 2.2 gamma adjustment that can occur if RGB material at 2.2 gamma is misinterpreted as 1.8. Support for any resolution, including SD, HD, 2K, 4K, and other resolutions Direct encoding of, and decoding to, RGB pixel formats For 4:4:4 sources, a data rate that is roughly 50 percent higher than the data rate of Apple ProRes 422 (HQ) High-quality solution for storing and exchanging motion graphics and composites Lossless alpha channel with real-time playback The R, G, and B channels are lightly compressed, with an emphasis on being perceptually indistinguishable from the original material. Full-resolution, mastering-quality 4:4:4:4 RGBA color (an online-quality codec for editing and finishing 4:4:4 material, such as that originating from Sony HDCAM SR or digital cinema cameras such as RED ONE, Thomson Viper FilmStream, and Panavision Genesis cameras). The Apple ProRes 4444 codec offers the utmost possible quality for 4:4:4 sources and for workflows involving alpha channels.
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For a complete comparison of the relative data rates of the Apple ProRes codecs, see Apple ProRes Format Specifications. The following list describes the features of each version. The Apple ProRes format comes in five versions: Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes 422 (LT), and Apple ProRes 422 (Proxy). In particular, the Apple ProRes codecs have been designed to work especially well as high-quality, high-performance editing codecs for Final Cut Pro, taking full advantage of multicore processing and featuring fast, reduced-resolution decoding modes. The Apple ProRes codecs provide an unparalleled combination of multistream, real-time editing performance coupled with impressive image quality at reduced storage rates. You edit with it, and then convert to whatever type of video you want to give to your client, or upload to YouTube or Vimeo. It is not designed as a "delivery" format. In the video industry, it's called an "intermediate" codec, which means that it is optimized for capturing and editing video. It's a kind codec, visually lossless across many generations.
![premiere pro apple prores 422 premiere pro apple prores 422](https://larryjordan.com/wp-content/uploads/2019/05/AME_03.jpg)
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Hopefully, by the end of this article, you'll have a decent understanding of what Apple ProRes is and the five types of ProRes codec.Īpple ProRes is Apple's professional video codec. But what is ProRes codec? To new editors, it's a confusing term.
![premiere pro apple prores 422 premiere pro apple prores 422](https://d29rinwu2hi5i3.cloudfront.net/article_media/2c20c11e-a758-4bac-9851-5bd7a1693152/5-graph-prores.jpg)
If you're a video editor and work with Apple's Final Cut Pro, you've likely seen Apple ProRes codec.